Fujifilm X-Pro2 compared to Fujifilm X-T2
Photoblog 365
July 9, 2016
Comparison of Fujifilm X-T2 and Fujifilm X-Pro2
The price of these cameras differs by about $100. Fujifilm X-Pro2 is a little more expensive, but is it better?
| Fuji X-T2 |
Fuji X-Pro2 |
|
| Sensor resolution | 24 megapixels | 24 megapixels |
| Sensor size | APS-C (23.6 x 15.6 mm) | APS-C (23.6 x 15.6 mm) |
| CPU | X Processor Pro | X Processor Pro |
| Autofocus | Hybrid | Hybrid |
| Autofocus points | 325 | 273 |
| ISO | 100 – 51200 | 100 – 51200 |
| Excerpt | 30 – 1/8000 sec. | 30 – 1/8000 sec. |
| Stabilization | No | No |
| Shooting speed | 8 fps | 8 fps |
| Video | 4K video, 30p, 24p | FullHD, 60p |
| Screen | 3-inch rotating LCD screen with 1.04 million dots | 3-inch LCD screen with 1.62 million dots |
| Hot shoe | Eat | Eat |
| WiFi | There is Wi-Fi with NFC | There is Wi-Fi with NFC |
| Dust and moisture protection | Eat | Eat |
| Battery | 340 shots | 350 shots |
| Dimensions | 133 x 92 x 49 mm | 141 x 83 x 46 mm |
| Weight | 457 | 445 |
Apparently, the X-T2 has two main advantages: 4K video recording and a new autofocus system with 325 focus points.
Both cameras use almost the same sensors. The type and resolution of the matrices for both cameras are the same. The ISO sensitivity level and image processor are also the same. Therefore, you should hardly expect a difference in the image quality of these cameras.
The X-T2 uses 325 autofocus points, which cover about 50% of the width and 75% of the height of the frame. In addition, the new model has an improved continuous autofocus algorithm, and in general, according to Fujifilm, the autofocus modes have been seriously upgraded. With the help of new algorithms, it is easier and more convenient to use a tracking point on moving objects.
The Fujifilm X-Pro2 has a total of 273 AF points, of which only 77 are phase detection and cover about 40% of the frame. There is information that an updated firmware will soon add improved autofocus to the X-Pro2.
The minimum shutter speed and burst speed are the same for both cameras.
The Fujifilm X-T2 camera is capable of recording video in 4K format at a bitrate of up to 100 megabits per second. Interestingly, when recording, not the full frame area is used, but approximately 1/1.8, that is, the original resolution, which is taken from the 5120 × 2880 pixel sensor. After which the picture is reduced to UHD 4K format, which allows you to get higher image quality. The camera supports saving video with F-Log gamma, which provides a “flat” image for ease of subsequent color correction. The X-Pro2 does not have 4K recording, it only supports FullHD.
From all this, it's easy to conclude that the X-T2 is Fujifilm's best mirrorless camera. It features improved autofocus, 4K video, and dust and moisture protection. In addition, the new camera is cheaper than the X-Pro2. Therefore, we can recommend buying the Fujifilm X-T2.
You can buy the Fujifilm X-Pro2 from Adorama, B&H and Amazon online stores.
You can buy Fujifilm X-T2 in the online stores Adorama, B&H, Amazon and M.Video.
What to choose. Fujifilm X-Pro2 and X-T2: seven key differences
Fujifilm's two flagships, the X-T2 and X-Pro2, have a lot in common, but they're designed for slightly different purposes. Which camera should you choose? Let's look at their main differences.
Both cameras are based on the X-Trans III sensor and the X-Processor Pro processor, but have different philosophies.
Fujifilm X-Pro2 - designed in the form of a classic rangefinder camera. Monolithic dust- and moisture-proof housing made of magnesium alloy. The hybrid viewfinder is located on the side. Moreover, this is the only model in the world with a hybrid viewfinder and interchangeable lenses. The classic form factor provides another advantage - passers-by do not consider it a serious camera, which makes it possible to shoot without attracting too much attention. Detailed review of Fujifilm X-Pro2.
Fujifilm X-T2 is the ultimate in versatility. The body is designed in the form of a classic SLR camera; instead of a pentaprism, a large electronic viewfinder with a refresh rate of up to 100 fps is installed. The camera has a comfortable grip and the ability to connect an additional battery pack with boost mode. Detailed review of Fujifilm X-T2.
1. Video shooting
This is perhaps the main difference between the flagships: the X-T2 shoots in 4K, while the X-Pro2 only offers standard HD.
The X-T2 is seriously focused on working with video. In addition to 4K (clips up to 10 minutes - and up to 30 minutes with a booster), the camera supports F-Log for shooting with a wide dynamic range. An article about all the video capabilities of the X-T2.
The X-Pro2 is aimed at photographers who shoot more photos than video, and use prime lenses more often than zooms.
So, if you need to shoot 4K video, then the X-T2 is your choice.
2. Flip-out LCD screen
The more “traditional” X-Pro2 received a fixed LCD screen covered with tempered glass.
The X-T2, on the other hand, as an all-in-one camera, boasts a rotatable display that can rotate in three directions. This makes it easier to shoot from high and low angles in both horizontal and vertical orientations. This design is also useful when recording video. The glass here is also tempered.
It is somewhat disappointing and surprising that Fujifilm (the manufacturer of touchscreen membranes) has not equipped either camera with a touch screen. The difference in screen resolution is also not entirely clear. The X-Pro2 has 1.6 million dots, slightly more than the X-T2 (1.04 million dots).
In short, if you want a movable display, choose the X-T2. If you don't mind a fixed screen, then the X-Pro2 has a higher resolution.
3. Viewfinder
At first glance, the characteristics of the X-Pro2 and X-T2 electronic viewfinders are very similar. The same OLED screen, 2,360,000 dots, the same sharpness and detail. But the X-T2 is still better - for two important reasons.
First, the X-T2 has a Boost mode that increases viewfinder image refresh to 100 fps (vs. 60 fps). Secondly, there is a complex optical system that focuses the image from the viewfinder onto the eye. Thus, the EVF offered in the X-T2 is one of the best viewfinders available. In addition, the magnification factor, 0.77x, is significantly higher than the 0.60x of the X-Pro2.
But you shouldn’t completely write off the X-Pro2 on this point. The camera has a serious ace up its sleeve: its viewfinder is a hybrid viewfinder, meaning it also offers a rangefinder-style optical mode that uses a focusing frame to preview the composition. At the same time, you see what goes beyond the frame.
The difference between an optical and electronic viewfinder is difficult to explain; they must be compared directly in operation. But when shooting with a prime lens with focal lengths from 28 to 50mm (coverage close to the viewfinder image), the X-Pro2's optical viewfinder is a pleasure to use. An added bonus with optical viewfinder mode is the electronic manual focus assist.
But if you prefer zoom lenses, the X-T2's all-electronic viewfinder is better.
4. Ergonomics
Of course, camera ergonomics is a matter of taste.
At its core, the control logic of the X-T2 and X-Pro2 is very similar (and more or less standard for the entire X series), but their ergonomics are quite different. For example, the X-Pro2's viewfinder is on the left, while the X-T2's is on the top, like a DSLR, in line with the lens axis.
Thanks to its deep grip, the X-T2 is more convenient for working with large zoom optics - for example, with the XF100-400. The camera is perfect for shooting sports and reporting.
With the optional battery grip, the X-T2 perfectly balances even the largest Fujifilm lenses. Plus, the booster duplicates the main controls, which is convenient when shooting vertical photos.
The X-Pro2 is designed to be more relaxed when working with fixed focal length lenses. Due to the lack of a grip (can be purchased additionally) it is not so convenient to work with the camera with long and heavy zoom lenses.
5. Shooting speed
Of the two cameras, the faster one is undoubtedly the X-T2. Its main purpose is to shoot sports and action, so the camera boasts a maximum shooting speed of 8 fps with continuous autofocus (up to 11 fps in Boost mode, using the additional grip). And when using only the electronic shutter, the frame rate reaches 14 per second.
The X-Pro2 can only produce 8 fps with autofocus. But that doesn't mean the X-Pro2 is worse. They're just two different cameras.
The speed-oriented X-T2 also features USB 3.0, which transfers data much faster than the X-Pro2's USB 2.0 interface.
In addition, both SD card slots in the X-T2 are compatible with the UHS-II standard (read about it in our article about memory cards - https://fototips.ru/camera-test/kak-vybrat-kartu-pamyati/ ), while in the X-Pro2 only one slot can fully use such cards.
6. Battery
The X-T2's optional battery grip not only increases the camera's speed and duplicates controls for vertical shooting. The handle holds two additional batteries, meaning the camera runs on three batteries in total.
As a result, the X-T2 with a booster can take about 1000 frames.
A huge plus is the ability to charge the camera via USB.
The X-Pro2 does not have an additional grip, so you can only count on the stated 350 frames. Although in practice, in our tests, we shot about 400–450 frames in mixed mode.
7. Autofocus
The X-T2 uses Fujifilm's most advanced autofocus systems. And these are 325 autofocus points (169 of them are phase detection), which provide hybrid autofocus. Add to this the wide range of autofocus settings and ready-made presets.
Initially, the X-T2's autofocus system was superior to the similar, but less advanced system in the X-Pro2, but the flagships were almost equal after the new firmware that came out this fall.
However, options for setting up the tracking mode are only available in the X-T2. Therefore, if autofocus performance or action photography in general is important to you, you should give preference to this camera.
Which camera should I buy?
By and large, both cameras fully satisfy the highest requirements.
The 24-megapixel APS-C matrix provides excellent picture quality. Video shooting is no longer a weak point compared to its predecessors.
In this area, the X-T2 gives a head start to the X-Pro2 only thanks to its ability to shoot in 4K. In HD, both cameras show excellent results.
In addition, the X-Pro2 is more suitable for photographers who prefer prime lenses, thanks to the viewfinder shifted to the left, which works in both electronic and optical modes. If you primarily do street photography or shoot mostly stationary subjects, then the lower fps, slightly simpler autofocus system, and fixed screen won't be a problem for you.
The X-T2, on the contrary, is a universal camera aimed at quickly capturing moving objects. It produces more frames per second, its viewfinder updates the image more often, and the screen can move up, down and sideways. And the additional handle significantly extends operating time and makes the camera more convenient when working with heavy zoom lenses.
Beyond performance, Fujifilm pays great attention to materials, build and the aesthetic pleasure of using the camera. Therefore, we always advise: go to a photo store and hold both cameras in your hands.
Comparison of Fujifilm X-Pro2 and X-T2. Seven Key Differences
Fujifilm offers two flagship cameras, the X-T2 and X-Pro2, which have a lot in common but are designed for different purposes. So which one should you buy?
Video
The X-T2 offers 4K video, while the X-Pro2 is limited to standard HD. The addition of 4K to the X-T2 surprised many, but it's clear Fujifilm sees the feature as an important element to attract customers. The X-T2 can record up to 10 minutes of video, or 30 minutes when the handle is connected with additional batteries.
The X-Pro2 is aimed more at photographers who tend to use prime lenses. The addition of 4K to the X-Pro2, of course, increased the cost, size and weight of the camera due to the need to install an additional heatsink.
LCD screen
The X-Pro2, being the more "traditional" of the two cameras, has a simple, fixed rear LCD display. In contrast, the X-T2 has a sophisticated, multi-articulating screen that makes it easy to shoot from low and high angles. This design is more useful for working with video.
Fujifilm's decision (which actually makes capacitive membranes for touch screens themselves) not to include touch controls in their cameras is a bit disappointing. I also don't understand the difference in resolution between the screens on the back of the X-T2 and X-Pro2. The X-Pro2's screen resolution is 1.6 million dots, which is slightly higher than the 1.04 million dots in the X-T2 (900 x 600 and 720 x 480 pixels).
So bottom line, if you want a tilting screen, buy the X-T2. If you don't mind a fixed display, you'll get a slightly higher resolution on the X-Pro2.
Viewfinder
At first glance, the electronic characteristics of the X-Pro2 and X-T2 viewfinders are very similar. Both are centered around the same 2,360,000-dot OLED display. But the X-T2's EVF is better for several reasons.
First, the X-T2's "Burst Mode" increases the refresh rate of the live view image in the camera's viewfinder to 100fps. And secondly there is a complex optical unit (as shown above) that focuses the viewfinder image into the eye. The X-T2's electronic viewfinder is one of the best on the market. Its unusually high magnification of 0.77X is higher than the 0.60X in the X-Pro2.
The X-Pro has one major trick up its sleeve. Its viewfinder is a "hybrid" that also offers an optical rangefinder that is used to preview the composition.
The difference between an optical and electronic viewfinder experience is hard to explain until you try both options yourself, but if you shoot between 28mm and 50mm, the X-Pro2's optical viewfinder is a joy to use. Electronic manual focus assist in optical viewfinder mode is an added bonus. The X-T2's all-electronic viewfinder is the best choice for those who use zoom lenses.
Ergonomics
While the basic control logic of the X-T2 and X-Pro2 are very similar (and more or less standard for the X-series), both cameras have different controls. The X-Pro2's rangefinder-style viewfinder is positioned on the left, while the X-T2's viewfinder is positioned in the middle on top of the camera, similar to a DSLR.
Which design is more convenient is a matter of taste.
The X-Pro2 is designed for photographers who prefer fixed focal length optics. The X-Pro2 doesn't work as well with heavy zooms. The Fujifilm X-T2 is specifically designed to work with heavy optics. With an additional reinforcement handle that duplicates the main controls, large lenses fit even better with the camera's size.
Speed
Of the two cameras, the X-T2 is the faster one. It is designed to meet the needs of sports photographers. The X-T2 boasts a maximum continuous shooting speed of up to 8 fps with continuous autofocus. This setting can be increased to 11 frames per second in High Brightness mode, with additional capture. In full electronic shutter mode, the maximum frame rate is 14 frames per second.
The X-Pro2, by contrast, is limited to 8fps with autofocus, but only 3fps with Live View in the viewfinder.
These horses are designed for various purposes. The speed-oriented X-T2 also features a USB 3.0 interface, capable of transferring data significantly faster than the X-Pro 2's USB 2.0 interface. Additionally, both of the X-T2's SD card slots are UHS-II compatible, while Only slot #1 in the X-Pro2 can take full advantage of these cards.
And further
In addition to increasing the X-T2's speed and duplicating controls for vertical shooting, the additional power grip also triples the camera's battery life. It's not magic. The grip simply holds two extra batteries. The maximum number of frames is 1000.
The X-Pro2 doesn't have a similar accessory, and battery life is limited to 250 shots and 350 when using the viewfinder.
Autofocus
The X-T2 includes Fujifilm's most advanced autofocus systems to date. It boasts 325 AF points, 169 of which feature phase detection technology. All of them work in conjunction with contrast autofocus.
Autofocus on the X-T2 is superior to the X-Pro2, but Fujifilm says new firmware will be released soon that will change the X-Pro2's autofocus algorithm. Thus, the X-Pro2's autofocus system will be as close as possible to the X-T2 in basic performance. The announcement of the new firmware is scheduled for autumn 2016.
It should be noted that the AF-C feature that is included in the X-T2 will not be added with firmware to the X-Pro2.
Which camera should I buy?
If you're choosing between Fujifilm's two fresh flagships, the X-Pro2 and X-T2, chances are each camera will be able to suit your needs. In terms of image quality, both cameras produce excellent images thanks to the X-Trans sensor architecture. In video mode, both models show excellent results. The X-T2 is ahead of the X-Pro2 in resolution and overall speed, including continuous shooting. This camera also has a more capable autofocus mechanism, making it attractive to sports photographers.
The X-Pro2 is probably the best choice for casual photographers, thanks to its off-center hybrid viewfinder that offers electronic and optical imaging. If you mainly shoot street portraits or landscapes, then the low continuous shooting speed will not be a disadvantage for you.
The fast X-T2 is a more versatile camera. It can take photos faster, the viewfinder has a much higher refresh rate, the rear LCD screen can tilt in any direction, and the additional hand grip upgrades all the parameters of the camera that relate to its speed and autonomy. This camera is also more comfortable to use with heavy zoom lenses.
Fujifilm X-Pro2 compared to Fujifilm X-T2
With the X-T2 and X-Pro2, Fujifilm offers two flagship cameras that are very similar to each other, but also have fundamental differences. Which camera should you choose? Let's sort things out in order.
Video shooting
The most noticeable difference that immediately catches your eye is the video recording capabilities. The X-T2 allows you to shoot video in 4K resolution, while the X-Pro2 is limited to standard HD. The addition of 4K resolution to the X-T2 surprised many as Fujifilm has never focused on video recording, but demand creates supply. Users are now choosing cameras with the best capabilities, and the lack of 4K may influence the choice. The X-T2 can record up to 10 minutes of video as standard, but when using the handle with optional batteries, it increases the recording duration to 30 minutes.
The X-Pro2 is more aimed at photographers who are used to working with optics that have a fixed focal length. Adding 4K to the X-Pro2 would increase the cost of the camera, as well as its size and weight due to the need to add a heatsink to dissipate heat. If you need 4K, then the X-T2 is the camera for you.
Rear LCD display
The X-Pro2 is a more traditional camera, so its display is fixed to the body and cannot be rotated. In contrast, and in keeping with its ultra-versatile style, the X-T2 has a sophisticated swivel and tilt screen mechanism. You can easily tilt it in almost any direction, which is very useful when recording videos.
Fujifilm makes capacitive membranes for touchscreens, but these flagship cameras don't have touchscreen displays. This is intentional. Both cameras have a large number of controls and viewfinders. This allows you to change settings without leaving your view of the scene. Using a touch screen would force you to shift your attention to it.
It's also a little strange to see the difference in display resolution between the X-T2 and X-Pro2. The X-Pro2's 1.6 million dots are slightly higher than the 1.04 million dots on the back of the X-T2 (that's 900 x 600 versus 720 x 480).
If you need a tilting display, then check out the X-T2. If you go with a fixed display, you can get a slightly higher resolution.
Viewfinder
At first glance, the electronic viewfinder specs on the X-Pro2 and X-T2 are very similar. Both have a resolution of 2,360,000 dots and both offer a window into the world that is both clear and detailed. But the X-T2's EVF is the better of the two. Firstly, the higher speed of the X-T2 allows you to increase the refresh rate of the image in the camera's viewfinder to 100fps. And secondly, it is a complex optical unit that focuses the image into the eye.
The X-T2's EVF is one of the best with its high magnification of 0.77X, which is higher than the 0.60X in the X-Pro2. But before we criticize the X-Pro2, let's take a deeper look.
The X-Pro has one ace up its sleeve. Its viewfinder is a hybrid one. It works like an optical rangefinder that uses wireframe lines to preview the composition.
The difference between an optical and electronic viewfinder is difficult to discern without a live comparison, but if you're shooting between 28mm and 50mm, the X-Pro2's optical viewfinder is very good. The X-T2's all-electronic viewfinder is the best choice if you primarily use zoom lenses.
Control
Basically, the X-T2 and X-Pro2 are very similar, but the controls of both cameras are still different. The X-Pro2's viewfinder is located on the left, while in the X-T2 it is located in the center and coincides with the axis of the lens.
Which design is more convenient is a matter of habit and personal preference.
The X-Pro2 is designed for photographers who don't care so much about video recording capabilities. The X-Pro2 doesn't pair as well with larger zoom lenses, while those types of lenses pair very well with the X-T2. With an additional grip that enhances the camera's power, the X-T2 feels very comfortable in the hand when working with zoom lenses. And, of course, the handle duplicates the main camera controls for ease of shooting in vertical orientation.
Even faster.
Of the two cameras, the X-T2 is significantly faster. It is designed to meet the needs of sports photographers. The X-T2 boasts a maximum continuous shooting speed of 8 fps with continuous autofocus. This can be increased to 11 fps in the high power mode with the grip. In electronic shutter mode, the maximum frame rate is 14 fps.
The X-Pro2, unlike the X-T2, is limited to 8fps with autofocus, and only 3fps when using Live View in the viewfinder.
These two horses are designed for different shooting styles. The speed-oriented X-T2 also features a USB 3.0 interface, capable of transferring data significantly faster than the USB 2.0 interface in the X-Pro 2. Additionally, both SD card slots in the X-T2 are compatible with the latest UHS-II, while as soon as slot #1 in the X-Pro2 can take full advantage of these cards.
. and even more
In addition to increasing the X-T2's speed and duplicating its controls for vertical shooting, the optional handgrip booster also triples the camera's battery life. It's not magic, it's just that the case hides two additional batteries, bringing the total number of available battery cells to three. Consequently, the battery life is tripled and the camera can take approximately 1000 pictures.
The X-Pro2's battery only lasts up to 250 shots in normal mode and 350 when using the optical viewfinder.
Autofocus
The X-T2 includes the most advanced autofocus system. It boasts 325 points, 169 of which offer phase detection. Together with the contrast detection system, both autofocus systems create a hybrid system. The X-T2's extensive continuous tracking settings are similar to those found in Canon DSLRs.
For now, the X-T2's autofocus system is superior to that of the X-Pro2, but Fujifilm says it will update the X-Pro 2's algorithms in new firmware. At the same time, tracking autofocus will still work differently than in the X-T2. The new firmware version will be released in autumn 2016.
What to buy?
If you've decided to buy Fujifilm's flagship camera, then both the X-Pro2 and X-T2 may be suitable for you. Both devices are very good and easy to use. In terms of image quality, the 24MP APS-C sensor does a very good job. Even in video mode, both models are the best cameras of all the X-series devices.
The X-T2 scores compared to the X-Pro2 and has a better video recording specification thanks to the addition of 4K resolution. Both cameras produce a beautiful HD video stream.
The X-Pro2 is the best choice for photographers using prime lenses, thanks to its off-center hybrid viewfinder that offers electronic and optical imaging. If you mainly shoot street photography, portraits, architecture and landscapes, then even a low burst speed will not be critical for you.
The X-T2, due to its speed, is more focused on shooting dynamic scenes. The viewfinder can update the image faster, allowing you to perform high-speed continuous shooting with constant visual control of what is happening in the frame. An additional grip can enhance the camera's power, increasing burst speed, extending battery life, and extending 4K video recording time by up to 30 minutes. The camera is also more comfortable to use large lenses thanks to the additional grip.
Fujifilm X-E3 vs Fujifilm X-T2 - which is better?
The latest X-series camera matches the capabilities of the premium Fujifilm X-T2 camera
Fujifilm X-E3 vs Fujifilm X-T2 – which is better? I would like to choose the best, taking into account your needs and capabilities, read below in this article for a comparison of Fujifilm X-E3 with Fujifilm X-T2.
X-series of mirrorless interchangeable lens cameras can be divided into two branches: those that emulate the design of rangefinder film DSLRs, and those whose aesthetic features take inspiration from the classic DSLR camera.
The X-E3 inherits some key components from the flagship X-T2
Matrix and processor X-E3 and X-T2
Inside the cameras you'll find the same 24.3-megapixel X-Trans CMOS III APS-C sensor. Its random pixel array structure eliminates moire, so there is no need for an optical low-pass filter (OLPF), so images are also sharper. The data from the sensor is processed by the X-Processor Pro processor and so this gives the X-E3 and X-T2 the same ISO range of 200-12,800 with advanced parameter settings of 100/125/160 at the low end and 25,600/51,200 at the upper limit. This sensor and processor combination means that both the X-E3 and X-T2 are on the same level of image quality.
X-T2 has a 24.3 megapixel X-Trans CMOS III sensor and X-Processor Pro on board
The X-E3 inherits the same sensor and processor as the X-T2 and has image quality to match
They are also equal to the continuous shooting speed. Both the X-E3 and X-T2 have a maximum continuous capture speed of 8 fps with the mechanical shutter and 14 fps with the electronic shutter. The X-T2 has a larger buffer capacity, although it can capture 83 JPEGs at 8 frames per second, while the X-E3 can capture 62 JPEGs.
In the X-T2, however, the speed can be increased by installing a vertical handle - a battery pack, which is sold separately. This means the X-T2 can use two batteries, so it can shoot around 1,000 images, and the increase in power results in better camera performance. Despite the small gains made with shooting interval and shutter lag time - not that you'll notice the extra 0.02 seconds - there's a big difference when it comes to the maximum shooting speed with the mechanical shutter: the X-T2 can now shoot with At 11 fps, that's an extra 3fps over the X-E3, so if you're shooting sports, wildlife or action, the X-T2 is a better choice.
X-T2 Vertical Power Booster Grip enhances the camera's shooting capabilities
Even without the optional Vertical Power Booster Grip—which provides an additional shutter button as well as other control functions—the X-T2 is noticeably larger and heavier than the X-E3. It's longer on each axis by about a centimeter and weighs 507g with battery and memory card, while the X-E3 weighs 337g. The extra weight is partly due to the solid magnesium alloy construction, while the X-E3 only has magnesium top and bottom plates alloy The X-T2's body is weather sealed, meaning it is dust and moisture resistant and can operate in sub-freezing conditions. X-E3 does away with weather sealing in favor of creating a lighter, and therefore more portable, alternative. The larger one also comes with two SD card slots, while the X-E3 only has one.
Screen and viewfinder
On the back of each camera there is a 3.0-inch 1040k dot LCD screen. The monitor on the X-T2 can be tilted in three directions, helping you frame when framing up the length of the weapon. On the other hand, the screen on the X-E3 is fixed in position, but it offers touch functionality that will be a big draw for some photographers. Because the X-E3's LCD display is touch sensitive and menu controls can be controlled using intuitive gestures, just like a smartphone, there are fewer physical buttons on the body, which helps it have a smaller size.
The 3.0-inch 1040k dot display on the X-T2 can be tilted to help with composition
The back of the X-E3 features a 3.0-inch 1040k dot touchscreen for intuitive operation.
One of the most obvious physical differences between the cameras is the design of the X-T2, which features a raised pentaprism-type housing on the top side of the camera - just like a DSLR, and this is where the EVF (electronic viewfinder) is housed. On the X-E3, the top edge is completely flat and the EVF is instead on the left side, just like on rangefinder cameras before the digital age. The EVFs in both the X-E3 and X-T2 provide 2,360k dot resolution for a clear view of your subject - with 100% frame coverage. Since the X-E3 is a smaller camera, the EVF is also smaller at 0.39 inches with 0.62x magnification, while the X-T2 has a 0.5-inch EVF with 0.77x magnification.
Both the X-T2 and X-E3 offer EVF, and the top panel houses dials for adjusting exposure
Focusing X-E3 and X-T2
Both cameras feature the same AF system, which has a total of 325 AF points and 91 with phase detection, which work better for tracking moving subjects. At launch, the X-E3 features a new AF tracking algorithm that improves AF performance of moving subjects. The same feature has been available for the X-T2 since November this year with a simple firmware update.
Camera video capabilities
At first glance, the X-E3 and X-T2 are comparable when it comes to video, as both cameras offer 4K video capture at 30 fps and 100 MB in size. However, the image quality in the older model is superior. This is because it uses all the pixels when capturing video, improving sharpness and dynamic range. The X-E3, on the other hand, does not crop the sensor to maintain the same field of view in the EVF. Because of this, the X-E3 does not perform a full pixel readout, resulting in poor detail and noise levels. The X-T2 also has a headphone jack so you can easily monitor captured audio, but there's no such port on the X-E3.
In the end, which is better: Fujifilm X-E3 or Fujifilm X-T2
Although the cameras in question share the same sensor and processor, delivering the same resolution, ISO range and autofocus performance, there are still a number of significant differences between the two cameras. The X-T2 is certainly more advanced with a larger viewfinder, dual SD card slots, dust and water resistance and superior 4K video capabilities, the optional Vertical Power Booster Grip enhances the capabilities of the X-T2, increases operating speed and continuous shooting speed, and improves control and increases shooting time. Additional functionality also comes with additional costs, so the Fujifilm X-T2 costs from 117,000 to 129,000 rubles as a kit. The X-E3 is available from just 77,000 - 85,000 rubles and offers the same image quality, plus touchscreen functionality and a smaller, lighter body. While some more advanced features are sacrificed, the X-E3 may be an attractive proposition for enthusiast photographers looking to purchase a top-notch X-series camera.
Fujifilm X-E3
Fujifilm X-T2
Price per whale
Fujifilm X-T2 is a 4K flagship for those who grew up on DSLRs. Plus accessories for it. Previews and impressions.
A whole generation of photographers has grown up for whom the word “rangefinder” is associated with something ancient and unusual. A new generation of photographers has become accustomed to the ergonomics of a classic DSLR camera: a central viewfinder, a comfortable grip, battery packs, and of course, flip-out displays. To such people, all the advantages of the current flagship Fujifilm X-Pro2, a review of which has been available via the link on catode.ru since February of this year, are not entirely obvious. The second flagship Fujifilm X-T2 , which is being announced right here and now, is intended for just such a young, new and active audience. In fact, you are the first in the world to see a detailed preview of the features of the new camera. We will have both photos and videos shot on Fujifilm X-T2 . And, of course, Fujifilm X-T2 live. Go!
What's new?
Fujifilm X-T2 is a camera created with an eye on reporting in all its forms. The Japanese relied on speed. You even have the opportunity to choose whether the camera will work very fast or super fast (boost mode). Is 11 fps continuous shooting good for a mirrorless camera? And the Fujifilm X-T2 can easily be “overclocked” to 14 (with an electronic shutter)! Are you shooting at 3 frames per second? Goodbye blackout (darkening between frames during continuous shooting, which is half as long here as in the Fujifilm X-T1), hello autofocus, capable of refining the position of the tracked object in the frame up to 8 times. Are you filming sports? Here's a fine-tuning of the operating mode of phase sensors, located, by the way, over a significantly larger sensor area (compared to X-T1). The Fujifilm X-T2 325 such sensors But contrast autofocus is also active all the time and helps phase detection!
You can set the priority of tracking the main object, or you can set the priority of the one closest to the camera, even if it appears after the start of the series. Your subject is randomly accelerating and slowing down - the camera is ready for this mode of operation. Are you taking a portrait? Then the focus is guaranteed (unless you tell the camera otherwise) to be on the near eye. The autofocus algorithms in the Fujifilm X-T2 are completely new - primarily using the potential of the most powerful X-Processor Pro processor. We still have field tests ahead, but “on paper” everything looks promising, and the photos that fellow photographers from Japan managed to take at the races are impressive. No need to worry about support for modern memory cards. Fujifilm X-T2 has 2 SDXC/SDHC card slots and both of them support the latest UHS-II standard - an industry first! With such cards, at a rate of up to 5/ks, you can shoot indefinitely - the buffer will not overflow. And with high-speed burst shooting, in the worst case, you will have up to 30 RAW or more than 50 JPG left for the burst.
The serious processor is accompanied by a modern matrix, which we, however, have already seen in the Fujifilm X-Pro2 - this is a gorgeous 24.3-megapixel X-Trans TM CMOS III APS-C size. Thanks to this matrix, the picture will not let you down. Actually, color is the main feature of any digital camera from Fujifilm. Just look at the fact that a 24 megapixel RAW file from such a matrix without compression “weighs” almost 50 megabytes!
An unexpected, absolutely radical innovation in the Fujifilm X-T2 - shooting high-quality 4K video at 30 frames per second with a bitrate of about 100 megabits / s, lasting from 10 to 30 minutes, with 4: 2: 0 compression, 8 bits (per card) or output uncompressed video via HDMI (so-called F-Log) to an external recorder with 4:2:2, 8-bit compression. When shooting such a video, it is possible to use proprietary software film simulators, including the acclaimed Fujifilm ARCOS B&W mode. On the one hand, this is self-indulgence and professionals always do “grading” (color correction) of videos, preferring to receive a low-contrast source for work. On the other hand, Fujifilm’s signature color lives on in video. Not every color corrector can achieve the same effect that Fujifilm engineers have perfected over the years. By the way, videographers from Japan and Europe also agree with me, who shot a promotional video for the new product and spoke very warmly about the video function and, most importantly, about the living “camera” color.
It is worth noting that the camera has a 3.5" jack for connecting an external microphone, and if you purchase an additional Fujifilm VPB-XT2 battery pack, there will also be a headphone jack.
By the way, purchasing a Fujifilm VPB-XT2 battery pack along with the camera is highly desirable. The realistic autonomy of the Fujifilm X-T2 is about 340 frames on a single battery charge, and in Boost mode we are talking about 280 frames. With a unit that adds 2nd and 3rd batteries, you can expect autonomy of up to 1000 frames, which is already comparable to DSLRs. The battery used is a standard NP-W126S, however, here you can see a new letter S. This does not mean that the battery will be more capacious and it will not charge faster. The new modification only heats up less than the previous version, which is important for shooting 4K video lasting more than 10 minutes. Backward compatibility is complete.
the Fujifilm X-T2 body has a USB 3.0 port (backwards compatible with USB 2.0 “micro”). The power of such a port is quite enough to recharge the camera “in the field”, which is very convenient.
Soon, support for remote shooting running Adobe Photoshop Lightroom will be added to the standard capabilities of the bundled dual-band Wi-Fi module. The corresponding plugins are ready and will soon be available in the Adobe store.
It is impossible not to note the high-quality dust and moisture protection of the Fujifilm X-T2 . According to the passport, this device will be able to operate at temperatures down to -10C without the risk of loss of performance.
Ergonomics
Without good ergonomics and high-quality assembly, there is nothing to do on the market of modern mirrorless cameras. Therefore, Fujifilm engineers tried their best and had a blast, although the continuity in terms of design development compared to the Fujifilm X-T1 was preserved.
Firstly, the control wheels have become higher and are more convenient to operate with gloves. Secondly, the process of locking these wheels has been greatly simplified - now the first press frees the wheel completely - you can turn it in any direction, but the second press, on the contrary, completely blocks it.
To switch the camera to video shooting mode, now just switch the lever on the left under your index finger to the extreme position.
Photographers and camera operators will certainly appreciate the extra degree of freedom the flip-out display offers. It can be tilted not only down or up, but also turned to the side. The design is cunning, atypical, but quite viable. In fact, there’s even less chance that an unprepared photographer will tear off the screen while trying to turn it more than it’s supposed to.
Traditionally, Fujifilm cameras have a completely silent electronic shutter mode - shutter speeds up to 1/32000 seconds are available (the hardware shutter operates up to 1/8000). In this mode, the Fujifilm X-T2 operates silently (but use the electronic shutter mode only when static!). But even continuous shooting at full speed is incredibly quiet. The shutter just rustles pleasantly. Listen for yourself!
The new 2.36 megapixel viewfinder is also interesting. It has become faster (updating at up to 100 fps), and its brightness has almost doubled. But most importantly, the eyecup is now large and very comfortable. It comes immediately included (for the X-T1 it had to be purchased separately).
Interesting accessories.
Along with the Fujifilm X-T2, the already mentioned Fujifilm VPB-XT2 battery grip will be available for sale, which, among other things, is equipped with a connector for connecting an external power supply for charging or simply long-term operation from the network. So out of the box the camera is ready for long studio shoots.
The battery handle itself can accommodate 2 batteries. Smart electronics consume the charge of each of them sequentially. Therefore, if you haven’t been filming for a long time, it will be enough to charge only one battery without touching the remaining ones. However, from the power supply the camera is capable of charging all three batteries independently and quite intelligently.
One of the coolest accessories we can imagine is the new Fujifilm EF-X500 flash, which will be compatible with most X-series cameras with an upcoming firmware update.
Guide number 50, zoom (20)24-105, support for controlling remote flashes in several groups and built-in video light - these are the main features of the accessory. Let us add that the flash body has an extremely atypical structure - like leather. It looks very “retro”. Like the new camera, the Fujifilm EF-X500 loves external power - so with the connection of the proprietary Fujifilm EF-BP1 accessory (battery pack for 8 batteries), the flash will accelerate and begin to charge faster, and make more pulses.
Total.
Of course, there are many more possibilities hidden the Fujifilm X-T2 We are waiting for the final samples of the camera to appear in Russia (we expect a “combat” test in August). As for going on sale, Fujifilm X-T2 will cost the same as Fujifilm X-Pro2 - RUB 119,990. The camera will go on sale in early September 2016. Immediately after the camera, new lenses will go on sale: first the XF23mmF2 R WR , followed by the XF50mmF2 R WR and a little later the XF80mmF2.8 R LM OIS WR Macro . The first two are at absolutely earthly prices (about 30,000 rubles), the last one will cost significantly more, but it should also draw amazingly.
Video:
Fujifilm X-T2 preview: when two flagships are better than one
The X-Pro1 officially became Fujifilm's first mirrorless camera in 2012, and the X-T1 appeared only two years later. And such a time difference did not allow us to say that the cameras were equivalent. So, in essence, the X-T1 remained the flagship of the lineup until the appearance of the X-Pro2. But now the company has managed to speed up production and save us from confusion with positioning.
General view of Fujifilm X-T2
Of course, there are plenty of differences between the X-Pro2 and X-T2, but overall they are cameras of the same level. And what's more, they are built on the same hardware platform. So the choice will come down to what exactly you plan to shoot. And now I will tell you about this in a little more detail.
What is what?
| Fujifilm X-T2 | Fujifilm X-Pro2 | |
| Class | mirrorless camera with interchangeable lenses | mirrorless camera with interchangeable lenses |
| Sensor | 24 MP, X-Trans CMOS III, APS-C (23.6×15.6 mm) | 24 MP, X-Trans CMOS III, APS-C (23.6×15.6 mm) |
| Bayonet | Fujifilm X | Fujifilm X |
| Photo format | RAW, JPEG (6000×4000) | RAW, JPEG (6000×4000) |
| Video format | 4K (3840×2160@30p/25p) Full HD (1920×1080@60p/50p/30p/25p) HD (1280×720@60p/50p/30p/25p) | Full HD (1920×1080@60p/50p/30p/25p) HD (1280×720@60p/50p/30p/25p) |
| Sensitivity range | ISO 200–12800 (expandable to ISO 100–51200) | ISO 200–12800 (expandable to ISO 100–51200) |
| Shutter speed range | 1/32000–30 sec, bulb mode (up to 60 minutes) | 1/32000–30 sec, bulb mode (up to 60 minutes) |
| Continuous shooting | 8 fps (11 fps with battery grip) | 8 fps |
| Screen | LCD, 3 inches, 1.62 million dots, tilting design | LCD, 3 inches, 1.62 million dots, fixed design |
| Viewfinder | electronic, OLED 2.36 million dots, 100% frame field coverage, magnification 0.77x | electro-optical, OLED 2.36 million dots, 92% frame field coverage, 0.6x magnification |
| Stabilization | optical (only available in some lenses) | optical (only available in some lenses) |
| Memory | 2 SD/SDCH/SDXC slots | 2 SD/SDCH/SDXC slots |
| Built-in flash | No | No |
| WiFi | There is | There is |
| Interfaces | HDMI, USB 3.0 | HDMI, USB 3.0 |
| Battery | NP-W126S, 1200 mAh | NP-W126, 1200 mAh |
| Dimensions | — | 141x83x56 mm |
| Weight | — | 495 g |
| Price | from 120,000 rubles per set without lens | from 120,000 rubles per set without lens |
Fujifilm now has not one flagship camera, but two. The X-Pro2 is better suited to those who used to shoot with a rangefinder camera in the past, while the X-T2 should appeal to those who preferred DSLRs. The first, according to the manufacturer, is better combined with optics with a fixed focal length, the second - with zoom lenses. Technically, of course, the cameras are compatible with all Fujifilm optics, so it's more about harmony and ease of shooting.
Fujifilm X-T2 and Fujifilm X-Pro2
What's outside?
At first glance, the X-T2 case is no different from the X-T1 case - approximately the same shape, the same dimensions. The whole point of the innovations was not to make the camera look new, but to make it more convenient to work with. The sensitivity and shutter speed control dials have become taller and are now easier to rotate with gloves on. The same can be said about the navigation keys on the rear panel.
Fujifilm X-T2 without lens
Fujifilm X-T2 screen design
The tilting mechanism of the screen allows it to tilt slightly to the right, making it easier to shoot at arm's length in a vertical orientation. Well, the enlarged eyecup, which was previously sold as a separate accessory, is included in the basic package. The exposure compensation dial contains values from -5 to +5 EV, in fact, the possibility of correction itself has expanded to these limits.
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Fujifilm X-T2 Top Panel Controls
I had to abandon the dedicated button for video recording altogether.
Now, to record video, you need to put the camera in a special mode, and shooting begins when you press the shutter button. You can now record footage onto two memory cards; there are two slots for this, and both support UHS-II specifications. And, in fact, 4K shooting is only possible with such cards; in other cases, you will have to be content with Full HD resolution.
The right-hand grip has become larger, which will be especially noticeable when using large and heavy optics. And if desired, the protrusion can be made even larger if you purchase an additional battery grip, which was presented along with the camera. It will also add a vertical grip with an additional shutter button and other switches, as well as a number of improvements to the basic functionality of the camera. However, Fujifilm frankly overdid it - some basic functions were deliberately “cut off”. But I will talk about this below.
Top panel of the Fujifilm X-T2 body
And the electronic viewfinder is directly transferred from the X-T1 (resolution 2.36 million pixels, magnification 0.77x), except that the refresh rate has become higher, now it is 100 frames per second. The short decrease in resolution at the moment of focusing is no longer noticeable, but there is still lag in low light.
What is inside?
The Fujifilm X-T2 uses the same processor (X Processor Pro) and the same sensor (X-Trans CMOS III, 24 MP) as the X-Pro2. So in terms of picture quality there will be no difference between the flagship cameras.
Fujifilm X-T2 sensor
The autofocus system operates in hybrid phase contrast mode and uses 273 points. I didn't notice any difference between the X-T2 and X-Pro2 in terms of pointing speed - both cameras are exceptionally good. However, the new model claims more advanced algorithms for working in tracking focusing mode. A separate item has appeared in the main menu where you can configure the tracking focus operation according to three parameters: tracking sensitivity (for fast or slow moving objects), movement speed (whether the camera will keep a slow moving object in the frame or switch to a faster one), zone selection (emphasis on the foreground, background, or an attempt to keep all objects in focus at the same time). Different combinations of these parameters are combined into five presets, plus one more slot remains for saving any other configuration.
The camera shutter operates in mechanical and electronic modes
The mechanics handle shutter speeds up to 1/8000 of a second, and the electronic shutter is used for shorter values (up to 1/32,000 of a second). You can still force the electronic shutter to be turned on or off in Settings.
Fujifilm X-T2 with battery grip
The maximum rate of fire is available only with the battery grip: with it the camera takes 11 frames per second, without it - 8 (the X-Pro2 could do the same). And the duration of the series depends on the memory card used. With a UHS-II card without a battery grip in CH mode (8 fps), the camera continuously takes 83 frames in JPEG format and 33 frames in RAW format. In CL mode (5 fps), the burst length in both formats becomes unlimited. And finally, in CH mode with a battery grip (11 fps), you can take 73 pictures in JPEG format and exactly 30 in RAW format. Yes, burst speed is not the only parameter that improves with this accessory. But if this phenomenon seems more or less logical (at least, all manufacturers offer similar solutions, despite the fact that technically the handle does not affect the speed of work at all, and the limitation is implemented at the software level), then the limitation on the duration of video recording is puzzling. Without it, you can only shoot 10 minutes of video in 4K and 15 minutes in Full HD. And connecting a pen magically expands the duration to 30 minutes.
With such restrictions on the duration of shooting, the camera is unlikely to be able to count on a serious audience
I sincerely hope that Fujifilm will come to its senses and fix this stupidity in the next firmware update.
